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the origin of love : how we became two-leg creatures (worth a read) : san francisco (2012)


Image by torbakhopper
a beautifully intelligent and expressive poetic interpretation of Aristophanes’ speech in Plato’s Symposium
for a translation of the original speech on the origin of love

When the earth was still flat,
And clouds made of fire,
And mountains stretched up to the sky –
Sometimes higher.

Folks roamed the earth like big rolling kegs.
They had two sets of arms, they had two sets of legs.
They had two faces peering out of one giant head,
So they could watch all around them as they talked while they read.
And they never knew nothing of love.
It was BEFORE oooh
the origin of love.

The origin of love,
The origin of love,
The origin of love.

Now there was three sexes then,
One that looked like two men glued up back-to-back,
They called the children of the sun.
And similar in shape and girth, was the children of the earth.
They looked like two girls rolled up in one.
And the children of the moon
Was like a fork shoved on a spoon.
They was part-sun, part-earth, part-daughter, part-son.

ahhhh
The origin of love…

Now the gods grew quite scared of our strength and defiance,
And Thor said, "I’m gonna kill them all with my hammer, like I killed the giants."
But Zeus said, "No,You better let me use my lightning, like scissors,
Like I cut the legs off the whales,
Dinosaurs into lizards."
And then he grabbed up some bolts and he let out a laugh,
Said, "I’ll split them right down the middle, gonna cut them right up in half!!!"

And the storm clouds gathered above into great balls of fire… [drum roll]

And then fire shot down from the sky in bolts
Like shining blades of a knife.
And it ripped right through the flesh of the children of the sun,
And the moon,
And the earth.
And some Indian god sewed the wound up to a hole,
Pulled it round to our belly to remind us of the price we pay.
And Osiris, the gods of the Nile, gathered up a big storm,
To blow a hurricane, to scatter us away, in a flood of wind and rain,
And a sea of tidal waves, to wash us all away.

And if we don’t behave they’ll cut us down again,
And we’ll be hopping round on one foot,
and looking through one eye!!!!

Last time I saw you
We’d just split in two.
You was looking at me.
I was looking at you.
You had a way so familiar,
But I could not recognize,
Cause you had blood on your face;
I had blood in my eyes.
But I could swear by your expression,
That the pain down in your soul,
Was the same as the one down in mine!
That’s the pain, that cuts a straight line
Down through the heart;

We called it LOVE!
So we wrapped our arms around each other,
Trying to shove ourselves back together.
We was making love,
Making love!!!

It was a cold dark evening,
Such a long time ago,
When by the mighty hand of Jove,
It was the sad story
How we became lonely, two-leg creatures.

It’s the story of the origin of love.
oh yeah,
That’s the origin of love.
The origin of love.

www.youtube.com/watch?v=-YO9FpWX57E&oref=http%3A%2F%2…

MOST DAUGHTERS FLY FREE, MAYBE YOUNG SONS AT SELECTED AIRPORTS, HELL MAYBE EVEN YOUR WIFE BRING HER DOWN AND LET US SEARCH HER


Image by SS&SS
NOT MY PICTURE ABOVE —–BUT I TRIED IT WITH ANOTHER IMAGE OF A BODY SCAN THAT I FOUND ALSO ON THE INTERNET ————–WORKS EVERYTIME
SO YOU CAN HAVE THAT OR THE NEW "HANDS ON" APPROACH –IS THIS A GREAT COUNTRY OR WHAT
WELL IT WOULD BE IF WE TOOK IT BACK

LINK TO VIDEO OF TSA AND SCREAMING THREE YEAR OLD GIRL AT THE BOTTOM OF ARTICLE

ILLUSTRATED ABOVE IS BODY SCAN IMAGE SIMPLY PLACED IN A PHOTOSHOP OR LIKE PROGRAM AND ANY HALF A*S GRAPHIC PROGRAM WILL DO, SIMPLY INVERT THE COLOR AND HEY ———–PURTY PICTURES OF THE WIFE, DAUGHTER, OR GIRLFRIEND ————WONDER WHERE THE GUY IN SCANNER BOOTH HAS HIS HAND——GUESSES ANYONE??
———————————————————————————————————————–

I submit that if we don’t beat back the TSA’s assault on innocent travelers, we might lose our nation for good. Or perhaps it would mean we have already lost it.

The reality is that the TSA is no more about airline security than ObamaCare was about affordable health care. Both the organization and the bill are about the dehumanization — and control — of theoretically free Americans. Thus, it is critical that Americans win push back efforts against both, because if we lose on these two fronts, we have effectively lost most of our freedom.

Now I realize there have been attacks on human freedoms all over our bureaucracy-infected society long before ObamaCare and Janet Incompetano’s "grope and change" policies were in place. I submit, however, that if both our medical care and our mobility are controlled by the whims of government bureaucrats — issues like toys in Happy Meals or sodium- and fat-free restaurants will be irrelevant.

Private property rights — which are also under attack everywhere from the IRS to the EPA — include the acquisition of financial resources. One of the great freedoms provided by those resources is the ability to move about. Those who attack one attack the other. Citizens who are self-sufficient and on the go are much harder to control than those who are not.

It is no coincidence that liberalism flourishes in the big cities, where people live in close quarters in a high-rise urban lifestyle. A nation of Seinfelds is easier to keep tabs on than a nation of Palins. As such, the Seinfelds don’t even feel the morphing grip of bureaucrats because they rarely do anything or go anywhere that threatens the bureaucratic state’s ability to control.

The Palins of the country instinctively feel this grip and abhor it.

This is why nothing scares the statist like the red/blue maps — the ones that break the country down by county or precinct, not by state. Such maps show how difficult it will be to gain control over us as long as we can move about the vast red areas. If that mobility is curtailed, then so is a lot our freedom.

(Just a thought: seems like the same statists are perfectly happy with a devalued dollar and skyrocketing fuel prices — thus making all travel more expensive, too. I’m sure it’s just coincidence.)

Certain issues like the Happy Meal toy fiasco amuse and inform. Others really do rip freedom right out from under people. The fact that it’s taken this long for Americans to revolt against this revolting and ineffective air security scam is frightening in and of itself. Every time I have been forced to fly — and I do only when traveling across large bodies of water — the security line episodes gave me a feeling like I’m playing a movie extra in a scene in some third-world country. Free people don’t get treated this way and remain docile — or free. Freedom requires at least a modicum of dignity. There is none available in the TSA line.

It is always shocking to me how many folks are OK with being treated like cattle. Any thinking person instinctively understands that these ridiculous security measures are not going to make us any safer, because any thinking person knows damned well that it is young Muslim males, not four ounces of grandma’s shampoo, that destroy airplanes and people and buildings.

It would be bad enough if any of this loss of freedom were actually making us safer. It is not, and there are much easier and less expensive ways to do so. This leads to the inescapable conclusion that those in charge are either really foolish or doing this on purpose, or a combination of both. And interviews with travelers indicate that there is a fairly high "naïf factor" among us. You know, the "I don’t like it, but if this is what it takes to keep us safer…" crowd. Puh-leeze.

Then again, the 2008 elections showed that same naïveté. Those results also sent a lot of people into a funk of near-resignation to the fact that the nation was perhaps doomed.

Then along came the Tea Party movement — riding the coattails of ObamaCare and waking up the slumbering while rejuvenating the depressed. The Tea Party election of 2010 has done a lot to increase the optimism of patriots everywhere — maybe this country is not lost after all. As we know now, there are indeed many millions of Americans who do want to save the country — as founded.

And along comes the "don’t touch my junk" viral video and the screaming three-year-old being molested in her mother’s arms by an overly diligent TSA agent. These are awful moments that might indeed be some of our "finest hours."

These videos should wake even more people up to the dangers of turning our lives over to the power-hungry who command millions of incompetents. And the same images should embolden the already informed. There is a certain "stench" of a government bureaucracy. It’s what one senses inside any DMV office or IRS office or Social Security office. It’s a freedom-draining system of shackles put in place by elites and carried out by factotums. And nothing captures it quite like the TSA.

The TSA restricts. It dehumanizes. It depresses. It invades. It costs. It fails in its stated mission as it creates jobs for the unemployable. It is government on display for all to see. It is what our health care will become if we keep silent.

It’s un-American. And it’s not America. Not yet. But if we cannot defeat ObamaCare and the TSA’s "grope and change," we won’t recognize America in the near future. This is why it is such a defining and critical issue.
November 19, 2010
Why Air Security is the Issue
By C. Edmund Wright
www.americanthinker.com/2010/11/why_air_security_is_the_i…

——————————————————————————–

VIDEO OF SCREAMING THREE YEAR OLD AND THE T.S.A. HERE EVERYBODY SHOULD SEE THIS : WE TELL THEM ALL THEIR LIVES NOT TO LET STRANGERS TOUCH THEM ——-AND THEN THIS???
THE DADS A NEWSCASTER APPARENTLY AND SO IS A LOT MORE P.C THAN MOST PARENTS WOULD BE ——-WITHOUT DOUBT HE’S MUCH MUCH MORE "OK" WITH THIS THAN I WOULD BE OR YOU PROBABLY
www.youtube.com/watch?v=Wzoyq91WN2Q&feature=related

THE BIG “GREEN” SCAM IS BLOWING UP


Image by SS&SS
Obama’s Solar Nightmare
By Ed Lasky
The Democrats have been busy the last two years, and not just reengineering the healthcare industry, restructuring the auto sector, assaulting Wall Street and the financial sector, harming our public finances. They have also been trying to transform America’s energy industry at our expense. This is Barack Obama at his worst — picking losers and winners by personal whim, donations for dollars deals, and ideological zeal.

Who have been the losers and who have been the winners? And have the winners just been taking the taxpayers for a ride while their guy has been driving the bus — with taxpayers sitting in the back?

The Obama administration has tried to kill off the oil industry. Offshore moratoriums have been unilaterally imposed by executive orders and justified using scientific panel studies that were misrepresented-if not distorted- by the administration. The drilling permitting process has been afflicted with sclerosis. Federal lands are becoming less and less available for development.

Obama does not like carbon; he boasted during the campaign that he would bankrupt coal power plants and that his policies would necessarily boost the price of power. Those words were ignored by much of the media, in thrall to the man they so wanted to win. When the rapture swept journalists into ecstasy who cared about little details here and there about Obama’s agenda?

He tried and failed to get a cap and trade bill through Congress. He warned that if that effort failed he would do another end run around Congress and rely on his Environmental Protection Agency to do his dirty work.

Who knows? Maybe Obama has personalized his gripes and made them the basis of public policy. We know how he feels about George Bush and Dick Cheney — both with strong ties to the oil industry. Maybe he just doesn’t care for the South where much of our carbon wealth is found — a Republican redoubt that he may have just written off as a political wasteland for him.

Hence, gas prices approaching dollars a gallon — and this is not yet the summer driving season that typically boosts gas prices as demand increases.

This price hike may make New York Times columnist Tom Friedman gleeful. He considers high priced gas (and Chinese authoritarianism) the answer to all ills. He writes column after column on these topics from the baronial splendor of his homes (here is a photo of one of them; he earned his fortune, by the way, by marrying it). Undoubtedly, he salves his conscience regarding the carbon footprints of his homes with checks to buy carbon credits — and writes more columns castigating us for our addiction to carbon.

But I digress.

How else have the Democrats been trying to change our power industry? By the old-fashioned way: changing the rules of the game (as noted above) and then using our tax dollars to enrich green schemers. The grand champion of spending boosts by Barack Obama and the Democratic Congress has been a 1014% boost in spending for the "Energy Efficiency and Renewable Energy Program." Then there is something called the Green Jobs Labor Fund-which did not even exist prior to 2009 and has received hundreds of millions of dollars.

But wait…there is more.

Much of the stimulus money also went toward funding green schemes, and one of the major beneficiaries have been solar power promoters. These are, in the words of Washington Post columnist Robert Samuelson, "pipe dreams." Many of the promoters and hucksters behind these "ventures" have chummy relationships with Democrats-as will be covered below.

How are these solar dreams playing out? As nightmares, at least for taxpayers.

The latest to turn off the lights is a Massachusetts venture promoted by its Governor, Deval Patrick.

From the Boston Globe:

Evergreen Solar Inc. will eliminate 800 jobs in Massachusetts and shut its new factory at the former military base in Devens, just two years after it opened the massive facility to great fanfare and with about million in taxpayer subsidies.

The company announced yesterday that it will close the plant by the end of March, calling itself a victim of weak demand and competition from cheaper suppliers in China, where the government provides solar companies with generous subsidies.

Evergreen itself has a factory in Wuhan, China, built in collaboration with a Chinese company, Jiawei Solarchina Co. Ltd., and with money from a Chinese government investment fund. The company had previously said it would shift some production from Devens to the Wuhan plant but yesterday was the first time it said Devens would be closed.

The Devens closing is a major hit to Governor Deval Patrick’s efforts to make Massachusetts a hub of the emerging clean-energy industry. The administration persuaded Evergreen to build at Devens with a package of grants, land, loans, and other aid originally valued at million. The company ended up taking about million, one of the largest aid packages Massachusetts has provided to a private company, and the governor was the featured guest at Evergreen’s ribbon-cutting in July 2008.

Governor Patrick had been criticized during his re-election campaign for providing aid to the plant during a time of economic stress. He ignored the criticism and plowed ahead. He and Barack Obama shared more than plagiarized speech lines and campaign strategist David Axelrod.

There are claw-back provisions allowing the state to recover some of the lost money. But these are mostly window dressing. Officials admit the terms are so complicated and generous that any recovery will be only a token amount. Company officials agree.

This is, of course, an outrage. Money is fungible. Evergreen used its own money to expand in China, took taxpayer dollars to take a fling in Massachusetts, and when that venture failed, just closed the doors and walked away. What a deal! Taxpayers take the risk. If the venture had succeeded, the company and its promoters and investors would have pocketed the gains; when it failed, they just walked away with nary an ounce of obligations to taxpayers. Were the lights, at least, run on solar power?

The landscape of America will be littered with these green scheme boondoggles going belly-up after gorging at the pig trough filled by American taxpayer dollars. Another taxpayer subsidized solar cell maker shut down recently in New York, for example.

Solar power subsidies have helped bankrupt the Spanish economy, and the very government officials who have peddled these schemes are backpedaling furiously to keep their jobs as their taxpayers rise in revolt. The government is slashing subsidies left and right, but may already be too late to save their economy. Meanwhile, at least one Spanish solar power company has found a temporary bandage to slow its fiscal hemorrhaging — the American taxpayer. Democratic Congressman Paul Kanjorksi, who was not reelected in November, has a nephew who "worked" for the Spanish solar company Abound. Somehow this foreign company was blessed with a 400 million dollar federal grant. Abound will probably join its rivals in Spain into ruin — the Spanish landscape will be littered with uneconomic solar power plants that will bear more than a little resemblance, metaphorically speaking, to the windmills of Miguel Cervantes Don Quixote.

Even the Spanish media have warned America that Obama is driving America off the green energy cliff. Other European governments are slashing solar tariffs as fast as they can as they to save themselves from drowning in red ink.

Does anyone believe that Barack Obama listens or that this self-declared "student of history" would learn from the Spanish tragedy? Did he listen to Larry Summer, his own resident genius (who recently left the administration) when Summers highlighted a study from the OMB and Treasury Department that found severe problems with the "economic integrity of government support for renewables"?

Only in Washington would a term such as ‘economic integrity" be used to describe a fiscally foolish program that will lead to massive problems in the future.

This tsunami of bankruptcies is headed our way.

Many of the execs and investors behind these green schemes are Democratic donors and those who have toiled in Democratic party politics for years. Solyndra was another solar scheme that received 535 million dollars in federal tax dollars. The "investment" was widely touted by the Obama administration. The firm was chock-full of investors and executives who were generous Democratic donors and activists. One of its biggest investors was a big bundler for the Obama-Biden campaign.

Solyndra also closed one of its plants and laid off workers after gouging on the aid .

But wait… there is more. The hucksterism runs rampant.

Solyandra’s auditor could not issue an opinion that would have allowed the company to go public and for its investors to cash out. The reason? Solyndra was so badly run that doubts were raised regarding its ability to continue as a going concern. The backers may have lacked much as investors and scientists. But as crony capitalists, they excelled.

A cloud is passing over these solar schemes.

They are inefficient boondoggles. They generate electric power at a cost vastly more expensive than electricity generated by natural gas (a relatively clean-burning fuel), hydro, coal — and of, course, nuclear. But the Obama administration and Democrats in Congress are on a crusade to foreclose the use of these fuels to power our nation. The Democrats are "enemies" (to use a word Obama has used to describe opponents) of natural gas development (see my column Cheap Natural Gas and its Democratic Enemies ); want to blow up dams; kill coal — the EPA is on a rampage against Big Coal; and choke off nuclear power plants by stopping the development of a repository for nuclear waste. We are being force-fed green schemes like so much spinach Michelle Obama might forcing down our gullets.

Solar power plants are inefficient and cannot survive on their own. Instead, they survive by virtue of an IV flowing from taxpayers to tax-takers. Eventually, reality catches up to fantasy and they close. Solar stocks are losers in the stock market, that harsh judge of economics.

Death panels would be better used to evaluate the values of these ventures, not the value of our lives.

Much of the stimulus money, as well as the Department of Energy budget, went toward these renewable green energy schemes. A quarter of a billion dollars (chump change in Washington; but real money to us who are paying for it) went to fund a weatherization program in Obama’s hometown of Chicago that was marked by fraud and shoddy work. That is but just one example.

The solar power schemes will become one bright, shining example of liberal politics run amok. We will be paying the price for these schemes and boondoggles for years to come. Meanwhile, the Chinese are happy that we are in hock to them as we borrow billions to pay for these fantasies and schemes. They also benefit since many of the green jobs that Obama touts happen to be in China — a nation that may be violating World Trade Organization rules when it exports solar panels (don’t believe the hype regarding China and solar power; they will sell us uneconomic solar panels but meanwhile, back at home, burn massive amounts of coal to fuel their growing economy).

The government is a notoriously bad investor when it comes to clean energy. Barack Obama and his band of zealots have very little real world business experience — and seem to disdain free enterprise. But this green energy crusade may have more than just ideological zealotry fueling its drive. Recall, Obama likes to pick winners and losers, and not just in basketball tournaments.

He hails from Chicago, after all.

Darrell Issa, now chairman of the House Oversight and Government Reform Committee, will investigate these green energy projects and get to the bottom of how we have been ripped off by green schemers and their friends in high places. He has already announced that one item on his agenda will be how the Obama administration has spent our money. He may have misspoken a bit when he called the Obama administration the most corrupt in history, but corruption there has been and he is ideally positioned to ferret it out and to prevent it from happening in the future.

Issa made his fortune creating and selling Viper car alarms.

He does not care for wrongdoers, and neither should we because we, the taxpayers, are the ones being ripped off.

Ed Lasky is news editor of American Thinker.

www.americanthinker.com/

LOL HEY KIDDIES THIS IS HOW GLOBAL WARMING REALLY WORKS (OR GLOBAL WARMING SIMPLY EXPLAINED FOR SIMPLE PEOPLE)

www.youtube.com/watch?v=cdxaxJNs15s

Question by YellowSnow: How can i download YouTube videos and place them on my ipod?
I have Allok MPGE4 convertor so i can pretty much convert anything to a ipod compatible file.

So i’m trying to find out how to download the actuall movies from youtube to my computer.

Best answer:

Answer by Irisha
Try VideoGet. It downloads from YouTube, GoogleVideo, MetaCafe, MySpace, Photobucket and other 700+ video websites.

VideoGet also providing you with ability to convert each video in most popular formats for more comfortable video playback. VideoGet supports AVI, MPEG1, MPEG2, WMV, FLV, MP4, 3GP, MP3 file formats, so you will be able not only to view it, but also put it into your iPod, mobile phone or any other portable device. One-click-download-convert. Plugins for Internet Explorer and Mozilla FireFox browser

You can convert the video into a format acceptable on iPod by following the easy steps below:

Step 1:
Copy the URL of the video.

Step 2:
Go to VideoGet.

Step 3:
Paste the copied URL into the VideoGet list.

Step 4:
In the “Convert” menu, on “Output folder” choose the MP4 format.

Step 5:
After you’ve selected the conversion settings, just click the orange button that’s marked by a down arrow. This will start the download.
Download will take up to several minutes or faster, depending on your Internet speed and size of video.

Give your answer to this question below!

Question by chickensinchoppers21: How do you download youtube videos for free legally?
I have some funny vids that I would like to have on the computer that are on youtube, but don’t know how to download them to my pc.

Best answer:

Answer by $aR@I-I T
keepvid.com

it works,easy to use,and is legal enough 4 me..

can sum1 answer mine:

http://answers.yahoo.com/question/index;_ylt=Anz5tuaJNBXlNyrakXbUHf3sy6IX;_ylv=3?qid=20081108062739AAogRc4

Know better? Leave your own answer in the comments!

A few nice youtube rip images I found:

I’m not complicating anything…


Image by ashley.adcox
So this is an old photo…but who cares. I haven’t taken too many photos over the last few months, so I literally have NOTHING to upload. It’s only here as a placeholder so I can do one of those crappy mini-blogs. It’s 6:45 in the morning…so hopefully that will explain the bizarre gush that follows this statement. I’ve always adored the song, but I’ve been listening to it pretty much non-stop all week- to the point where I even disabled my last.fm scrobbler a few times, because it was just ridiculous.

>>>>>>>>>>> www.youtube.com/watch?v=xmUITub9j8s <<<<<<<<<<<

I’m pretty sure this song has saved a few lives. It’s just so gut-wrenchingly gorgeous. It’s one of those songs that’s HARD to listen to…you feel it so deeply that it’s agonizing…but you can’t stop, because it’s so REAL.

This song completely sums up my life. It says everything I could ever want to say. I mean it in a million different ways, but all quite specific. I’m not sure I’ve ever heard a song that is so dead on to multiple different situations that are all quite different.

When I first heard it it was a tiny bit too twangy for my liking, but Ryan Adams has the unique ability to make me overlook the twang. His lyrics are so incredible that they don’t even need music…the music is the icing on the cake. He’s a musical genius, but his lyrics are where he really shines. That could be because he’ll often veer into a twangier side, and I’ve never liked that in other artists, but he pulls it off, and pulls it off in large part, I think, to his lyrics. His lyrics make me overlook the twang in a way, but in another way, his lyrics make the twang work…it makes it okay. It all fits together.

…in other words, he’s a ridiculous musical/lyrical genius. An absolute artist in every sense of the word.

This song says more about me than anything I could ever write. This song is life. It’s a borderline religious experience. Maybe the sound isn’t for everyone…but there’s no denying the painful depth of those lyrics. If those lyrics don’t rip you to shreds, I question whether your human, because this song pretty much defines the human experience. I can’t imagine anyone who can’t interpret this song to fit their life dead on in some way…it doesn’t even have to be relationship based…some of my interpretations don’t even involve another person at all…I think it would take an incredibly close minded/literal person to not be able to find SOME way of deeply relating to this song.
______

"You gave me everything you really tried.
Thanks."
(^ Don’t even THINK about judging that line unless you’ve listened to it (3:22 into the video). The delivery is 90% of the genius. It’s so broken. so resigned. his realization of the line/situation is nothing short of profound.)

I’m pretty sure that’s the most heartbreaking line I’ve ever heard. There’s so much realization in that line…it’s like that moment- that one defining moment where you realize everything is over, and no one is going to try anymore- everything has run it’s course and run out…you look and realize that the other person gave you absolutely everything they were able to give, and it still didn’t work…and all you can do is try to appreciate the effort, while still trying to deal with that heart-wrenching moment of realizing it’s over.

That line absolutely slays me. Rips me open. Honestly, it’s that tiny, vulnerable, broken "thanks" at the end that makes it…when you first hear it, it’s so unexpected…it breaks away from the rhythm of the lyrics, and that’s what makes it so gorgeous. It’s almost as though he stops the entire song just for that one word…because that one word sums everything up.

It’s over. There were a lot of hurt feelings and a lot of turmoil…but when you finally realize that it’s TRULY over, what else can you do but look back and try to be thankful? If you hold on to bitterness and resentment, you’re kind of subconsciously banking on the idea that that person is still there- that person has to be there for you to be angry at. That person is still a huge part of your life if you’re angry. But that tiny fractured "thanks" is like the final send off…you can’t let go of a person or experience when your angry and bitter…but when you let go of it in the light of this song…you really know it’s over. You know there’s no chance it will ever start up again.

Being angry at the situation is like watching a movie and waiting for the sequel.
The outlook of this song…it’s like closing the biggest book you’ve ever read, and realizing that you’ve read every book by the author, and the author is dead. You’ll never have a chance to re-experience what you’ve been through. It’s OVER.

_____________

Let me go I’m only letting you down
I ‘ve got nothing to say to you now
I lose the feelings that are weighing me down
When I’m safe

It’s turning morning all the birds sing
I’m not complicating anything
I’ll have another then I’ll go to bed
But I’ll dream of you

Cause it’s almost over
And it’s almost gone

And I can feel the sweet illusion, coming
Sweet confusion, honey
Sweet illusion coming down
And I ain’t got nothing but love for you now

You and I used to shine like a jewel
But times been nothing to us but cruel
So play it out and never play the fool
Cause you’ll lose every time

We were nothing, we were only the past
Hard times like that don’t last
I’ve been forgiven, I’ve been surpassed
By my heart
Have you?

Cause it’s almost over
Yeah it’s almost gone

And I can feel the Sweet Illusion coming
Sweet Confusion, honey
Sweet Illusion coming down
And I ain’t got nothing but love for you

Love for you I can’t use
And lonely nights multiplied by the blues
That I can’t resolve

You never knew me but I did my best
I’m just lonely inside I guess
You gave me everything you really tried
Thanks….

If we were nothing and we’re only the past
Then I’m just living in a dream I guess
A long black dream that takes me down the river to you

Where it’s almost over
And we’re almost gone

And I can feel the Sweet Illusion coming
Sweet Confusion, honey
Sweet Illusion coming down

And I ain’t got nothing but love for you now
- Ryan Adams + The Cardinals: Sweet Illusions

"You never knew me but I did my best…you gave me everything you really tried, thanks. I’ve got nothing but love for you now"…That’s so REAL. That’s the realization that you’ll never again have what you once had. Realizing that as miserable as it was, there was so much there…but it would never work out…you’ve reached the end. There’s nothing left.

KEEP ON DRIVING (caravan decay)


Image by Hell?Noir
Facebook Fanpage: "HellNoir Photography" Eleonora De Cesaris

My personal: Facebook

Fluidr: view on black

Myspace: La bambina prodigio

Somebody’s waiting for you
Somewhere down the road
Keep on driving
Keep on driving
Keep on driving
Keep on driving

In a pickup truck, sick bikers escapees from Rikers snickering
Hicks with pitchforks picking up hitchhikers and tricking ‘em, we likes it
Kill ‘em like chickens with an ice pick

Run quickly you’re in a snuff flick G, feed you to a pig, your wig eaten up
No need to dig, jigged up, bleeding from your ribs like squibs
I’ll eat the brains of your kids kids

Male shovanist with a ‘fro shall attack and sting you like a big cobra slapped’
You get trapped in my crib, in your grill like a jig camera wicking you like a wig
Shoot you up, you’re puking up uranium, blasting your mom’s dukes in the cranium
Insane asylum, sanitarium off the crazy train, I’m delirium in the vein again (AAAAH!)

You’re being chased through the forest, by crazy faced coroners
with an amazing taste for blood like Tyrannosaurus, you’re exhausted
Cut off your clitoris

Divorce your form, your orifice, force in a fist tortured with forceps
Nauseous from horse shit
A coughing rips your torso like a corset
Jucks multiple times, like shrapnel inside a war-vet
A crooked cult rhyme, assaulting a slime with the insulting rhyme
Get cooked from a jolt of voltage through your spine
Indulging in coldness, bitterness, cruelness, ruthless, vulgarness, OGRISH
Ghoulish when the full moon hits, the ultimate focus is who won’t live!

Somebody’s waiting for you
Somewhere down the road
Keep on driving
Keep on driving
Keep on driving
Keep on driving

You ran out of gas on a farm road and trespassed, now you’re stabbed in your ass
with broken bottles choking on crushed lipo fill up your abdomen with glass and bust rifles
I’m pulling at your organs, organizing an orchestration of gore appreciation
deprivation, give a whore a feces facial, eat it raw defecation suffocation
you get smothered in anal, kill you like the brother of Abel

I’ll make your mother my table, and shove an electrical cable in her intestinal navel
You just don’t get it, you’re find dead, naked, beheaded, your drowned head decapitated
and used for ???? on the sea bed, imbedded, a school of red snappers ate it then jet it
your corpse is a grizzly work of art
like a grizzly bear with a body part in his mouth eating like sizzla
Scissor teeth sharp like shattered mirrors in your heart by the wizard of incisions
Dead, but your nerves make you pop up like jack in a box, attack with an axe like a fox
Screaming like you’re typing with CAPS LOCK on, fighting so bad your head whitening
Shoved on a meat hook, by a creep that looks like Meat Loaf
a big oaf, a mofo with a mole will [be] keeping your skull as a trophy
Skin on the sofa covered in fungus growth
Dumping you in a crawl space, I’m an off the wall nutcase
Rocking your face on my face while pumping Ace of Base
piece by piece disgrace your fate

Somebody’s waiting for you
Somewhere down the road
Keep on driving
Keep on driving
Keep on driving
Keep on driving

They’re watching you, talking with walkie talkies hawking you with binoculars
the cop killers creeping like Tarantulas, the Praying Mantis and Chinchillas
You go from being innocent and fearless to careless to brutally killed
like Todd Bridge’s transition from being Willys to shacked up in a crack house with dealers
cracking your back with a black jack til you snap, your spine fractured
like a flashback reaction from mescaline cactus making your back twitch
your ass backwards

Warriors, the serial killer version
Put a blade to your dome when I invade your trailer home like a military incursion
and make you drink your urine

In a deserted desert I’ve pleasantly murdered, your vertebra is some perverted peasants
insert your gizzard the disgusting treasure forcing pheasant and buzzard
the mutants, molested night, on a nuclear testing site
like Wayne Newton giving your face ceramic plates, ’til you drip blood platelets

Leave you an eunuch, self mutilation, while Willy Nelson is playing on a radio station
on vacation don’t take directions from a mental patient on medication
Asphyxiation fixated on hatred
Don’t befriend a stranger
they got hidden agendas
rocking suspenders
to leave your appendix
chopped in a blender!

Somebody’s waiting for you
Somewhere down the road
Keep on driving
Keep on driving
Keep on driving
Keep on driving

Someone will be there
Someone will be there

Question by : Is it ilegal to download and convert youtube videos to MP3, then make a tutorial on youtube?
i want to make a youtube tutorial on how to download youtube videos and convert them to mp3, this involves me downloading videos and converting them infront of everyone who views it on youtube?

is it ilegal?

what is the possibility i could get cought?

will i get sued or somthing?

i dont care if my youtube account gets suspended?

Best answer:

Answer by DJ DIzzy
dont do it man. if you do then everyone will know about it and the converting sites will be taken down. you know how youtube is about copyright. If you do this you will ruin it for everyone who knows about it. DONT DO IT

What do you think? Answer below!

Question by cozmoplanit: Whats the best free software to rip audio from youtube videos?
I wanna get the music from a video that I downloaded of you tube….

I have Adobe cs5 masters but can’t seem to import a fla file to any of the programs…

Best answer:

Answer by lolwutguy
Use YouTube Downloader HD. Download the video. Then use the converter it comes with to convert it to a audio format.

Give your answer to this question below!

Check out these download youtube videos images:

ysinembargomagazine17_Página_76


Image by fernandoprats [@ix gallery, colourgenics, toronto]
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

Some cool download youtube videos images:

ysinembargomagazine17_Página_82 (stéfano-pérez-tonella)


Image by fernandoprats [@ix gallery, colourgenics, toronto]
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

ysinembargomagazine17_Página_75


Image by fernandoprats [@ix gallery, colourgenics, toronto]
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

Some cool youtube rip images:

la luce meglio [Padre Maronno]


Image by KiwiAttero
www.youtube.com/watch?v=qmVn6b7DdpA

All I can say is that my life is pretty plain,
I like watchin’ the puddles gather rain.
And all I can do is just pour some tea for two
And speak my point of view but it’s not sane.
It’s not sane.
I just want someone to say to me, oh,
I’ll always be there when you wake, yeah.
Ya know I’d like to keep my cheeks dry today.
So stay with me and I’ll have it made.
And I don’t understand why sleep all day
And I start to complain that there’s no rain.
And all I can do is read a book to stay awake,
And it rips my life away but it’s a great escape.
Escape, escape, escape.

All I can say is that my life is pretty plain,
Ya don’t like my point of view,
Ya think that I’m insane.
It’s not sane, it’s not sane.

I just want someone to say to me, oh, oh, oh
I’ll always be there when you wake, yeah.
Ya know I’d like to keep my cheeks dry today.
I really wanna really gonna have it made.
Oh. Oh. Oh.

A few download youtube videos products I can recommend:

Ultimate Publicity Business/musician Campaign Membership Site
This Is A Do-it-yourself Publicity Service Website That Allows Businesses, Organizations And Musicians To Create E-mail Electronic Press Kits, Search Engine Optimized Press Releases And Music Distribution For Musicians. Everything For Successful Campaign.
Ultimate Publicity Business/musician Campaign Membership Site