Free Youtube Grabber Blog

Posts Tagged ‘Nice’

Check out these download youtube videos images:

ysinembargomagazine17_Página_76


Image by fernandoprats [@ix gallery, colourgenics, toronto]
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

Some cool youtube rip images:

la luce meglio [Padre Maronno]


Image by KiwiAttero
www.youtube.com/watch?v=qmVn6b7DdpA

All I can say is that my life is pretty plain,
I like watchin’ the puddles gather rain.
And all I can do is just pour some tea for two
And speak my point of view but it’s not sane.
It’s not sane.
I just want someone to say to me, oh,
I’ll always be there when you wake, yeah.
Ya know I’d like to keep my cheeks dry today.
So stay with me and I’ll have it made.
And I don’t understand why sleep all day
And I start to complain that there’s no rain.
And all I can do is read a book to stay awake,
And it rips my life away but it’s a great escape.
Escape, escape, escape.

All I can say is that my life is pretty plain,
Ya don’t like my point of view,
Ya think that I’m insane.
It’s not sane, it’s not sane.

I just want someone to say to me, oh, oh, oh
I’ll always be there when you wake, yeah.
Ya know I’d like to keep my cheeks dry today.
I really wanna really gonna have it made.
Oh. Oh. Oh.

Some cool youtube rip images:

A Remixer’s Manifesto


Image by teachernz
Watching Rip-A Remix Manifesto… Copyright v Copyleft and CC.

YouTube here www.youtube.com/watch?v=zdwN6rRU0Xk

DSCF9338


Image by dccraftaholic128
Totally ripping this scene off from the Walker tradition Christmas movie, A Christmas Story.

Check out these youtube download images:

ysinembargomagazine16_Page_09


Image by fernandoprats (& the new iPad)
"du-champ-i-ssue"
jun.jul.ago.2008 | inviernosurveranonorte

ON PAPER (new! second edition! 25/09!)
PDF (new! second edition! 24/09!)
NAVIGATE it (new! second edition! 24/09!)
Hi-Res PDF (new! second edition! 24/09!)

Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
No su vida, no su obra; tan sólo algunos de sus conceptos.
Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
combinados con la explícita intención de producir a su vez un objeto duchampiano.
-el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
-la obra independientemente de su carácter representativo e interpretativo
-”arte”, en términos de convenciones, lo más “amorfo” posible
-”obras” en las que la obra no es una finalidad en sí misma sino una excusa
-interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
-objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
-obras “definitivamente inacabadas”
-rrose sélavy, su alter(-)ego
-ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
-la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición

-texto, – bloques, – fotografías, + mixed-media, + pintura, + ilustración.
-toda la revista está en castellano e inglés.

(descárgala gratis y comienza felizmente el verano -o el invierno-)

# # #

This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.

- the medium, as an intellectual tool which goes beyond its specificity mocking it.
- the work, regardless of its representative and interpretative character.
- “art”, in terms of conventions, as “amorphous” as possible.
- “construction”, in which the work is not it’s purpose, but an excuse.
- interpretations, or rather readings which can coexist despite being seemingly exclusive.
- objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
- works “definitively unfinished”.
- rrose sélavy, his alter (-) ego.
- chess, optic machines, mathematics, geometry, “artifacts”.
- “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.

- aesthetics: – text, – blocks, – photographs, + mixed-media, + painting, + illustration.
- the whole magazine, in spanish and english.

(download it. it’s free. and start enjoying summer -or winter-)

# # #

edit(ing), direct(ing) + complements
fernandoprats
art direct(ing) + design(ing)
estudi prats
insistAnçao, correct(ing) + additional stuff
r | v
listen(ing)
hernán dardes
musicaliz(ing)
albert jordà
translat(ing)
kiddo | emilia cavecedo
frontcover(ing) concept fot
une autre sensualité
backcover(ing) concept borrador
UU – dou _ ble _you et aa
open(ing) concept
nacho piédrola + salaboli & fp porta

-structure:
accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
{ pepo m.-the secret society, r | v, leah leone } => hilarious
{ pancho lorenz, natalia osiatynska } fernandoprats => rage

=> meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
=> hilarious { d7, olivier gilet, jef safi, special spatial guests }
=> rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich

ysinembargo#16… sensualmente inacabada.

a b r e l a m u r a l l a
antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw

# # #

YSE #16′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group

ysinembargomagazine16_Page_12


Image by fernandoprats (& the new iPad)
"du-champ-i-ssue"
jun.jul.ago.2008 | inviernosurveranonorte

ON PAPER (new! second edition! 25/09!)
PDF (new! second edition! 24/09!)
NAVIGATE it (new! second edition! 24/09!)
Hi-Res PDF (new! second edition! 24/09!)

Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
No su vida, no su obra; tan sólo algunos de sus conceptos.
Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
combinados con la explícita intención de producir a su vez un objeto duchampiano.
-el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
-la obra independientemente de su carácter representativo e interpretativo
-”arte”, en términos de convenciones, lo más “amorfo” posible
-”obras” en las que la obra no es una finalidad en sí misma sino una excusa
-interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
-objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
-obras “definitivamente inacabadas”
-rrose sélavy, su alter(-)ego
-ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
-la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición

-texto, – bloques, – fotografías, + mixed-media, + pintura, + ilustración.
-toda la revista está en castellano e inglés.

(descárgala gratis y comienza felizmente el verano -o el invierno-)

# # #

This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.

- the medium, as an intellectual tool which goes beyond its specificity mocking it.
- the work, regardless of its representative and interpretative character.
- “art”, in terms of conventions, as “amorphous” as possible.
- “construction”, in which the work is not it’s purpose, but an excuse.
- interpretations, or rather readings which can coexist despite being seemingly exclusive.
- objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
- works “definitively unfinished”.
- rrose sélavy, his alter (-) ego.
- chess, optic machines, mathematics, geometry, “artifacts”.
- “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.

- aesthetics: – text, – blocks, – photographs, + mixed-media, + painting, + illustration.
- the whole magazine, in spanish and english.

(download it. it’s free. and start enjoying summer -or winter-)

# # #

edit(ing), direct(ing) + complements
fernandoprats
art direct(ing) + design(ing)
estudi prats
insistAnçao, correct(ing) + additional stuff
r | v
listen(ing)
hernán dardes
musicaliz(ing)
albert jordà
translat(ing)
kiddo | emilia cavecedo
frontcover(ing) concept fot
une autre sensualité
backcover(ing) concept borrador
UU – dou _ ble _you et aa
open(ing) concept
nacho piédrola + salaboli & fp porta

-structure:
accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
{ pepo m.-the secret society, r | v, leah leone } => hilarious
{ pancho lorenz, natalia osiatynska } fernandoprats => rage

=> meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
=> hilarious { d7, olivier gilet, jef safi, special spatial guests }
=> rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich

ysinembargo#16… sensualmente inacabada.

a b r e l a m u r a l l a
antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw

# # #

YSE #16′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group

A few nice youtube rip images I found:

“Life is a roller coaster…. you have your ups and downs unless you fall off” ~ Happy FRISKY Friday ~


Image by turtlemom4bacon
While at Universal Studios, my grandson and daughter wanted to ride the "Hollywood Rip Ride Rocket" roller coaster…… I said "have fun" as they waited in line… LOLLLLLLLL

Please watch the video to experience the thrills(??) without fear of falling off
www.youtube.com/watch?v=pR8cbXaMOfg

Hollywood Rip Ride Rockit

Wekipedia ~

Hollywood Rip Ride Rockit is a steel roller coaster at Universal Studios Florida. This custom-designed attraction features an on-board sound system to provide a soundtrack for the 3,800-foot (1,200 m) roller coaster track, as well as video cameras to record the experience. It was officially opened by Universal on August 19, 2009.

The roller coaster’s vertical lift hill being 167 feet (51 m) tall, making it the tallest in the Orlando area. Its designed to allow four trains to be on the track at a time and feature six near-miss encounters and a unique form of vertical loop.
Hollywood Rip Ride Rockit is an "X-Car Coaster", a proprietary design from Maurer Söhne, and is considered the largest roller coaster of its kind in the world. Maurer Söhne expected the attraction to carry approximately 1,850 riders per hour.

In the attraction’s queue line, video monitors entertain waiting guests. The programming is hosted by characters who introduce one of Hollywood Rip Ride Rockit’s signature components, its customizable soundtrack. Guests select a musical track from one of five genres—classic rock/metal, rap/hip-hop, country, pop/disco and club/electronica—to hear during their experience. Each genre has six songs available, bringing a total of 30 different tunes to the ride’s on-board library. The songs will not be re-arranged to fit the roller coaster’s design; however, the musical artists granted the ride’s designers the ability to select when their songs started and stopped, in order to provide the best match to the ride.

The station features a moving sidewalk on the loading platform. According to the designers, the riders have about 45 seconds from the time they step onto the loading platform to be seated, lower the lap bar and make their music selection before the train is dispatched. The roller coaster departs the station and climbs its 167-foot (51 m) vertical lift, reaching the top in just over 16 seconds. It then drops to the ground before entering the "double take," a circular element 103 feet (31 m) in diameter which looks like a standard vertical loop, but the track twists around at the top of the loop such that the train is right-side-up when descending the loop. The train descends and twists again on the way down then climbs to reach the first of several mid-course brake sections.

The "non-inverting" loop elementThe roller coaster exits the brakes and drops back towards street level, passing through the building of Twister…Ride it Out before entering a series of swooping curves called the "treble clef". From above this section appears to have been inspired by the musical notation of the same name. The train climbs the treble clef and exits into another mid-course brake section. Now returning towards the station, the roller coaster enters a series of sharp turns. The first, nicknamed the "jump cut," is a unique element similar to a corkscrew, but without turning the riders upside-down. The second is the "crowd surfer," an overbanked turn that passes over portions of the queue line for the attraction.

Hollywood Rip Ride Rockit then enters another mid-course brake section before it prepares to exit the park grounds. It next encounters "drop tuning," named for a type of guitar tuning, which is a quick drop into a landscaped area in front of the Sharp Aquos Theatre. Emerging above the ground, the roller coaster enters a 540-degree helix nicknamed the "plot twist". After the plot twist, the coaster enters its last brake section and makes a small drop called the "chorus" and then ascends again onto the brakes that slow down the train before entering the station.

Sugarland Album Art


Image by JacobBurke.com
ripped the audio from the video on youtube, so now i have an mp3

A few nice youtube rip images I found:

I Am Low Fidelity


Image by Nirazilla
Polaroid 600SE + Mamiya 75mm + Expired (2003) Polaroid ID-UV @ Home.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
So. The other day, I woke up very, very late. Like 4PM late. Then, I went to the camera store to grab some film I’d had developed, partially followed by some creeper by the name of Eric who I enjoy ripping on, not because he’s a creeper (I was actually joking about that) but because he’s an exceptionally tolerant Christian and I respect that. Enough to poke fun at, but never directly, deeply insult him. It makes sense to me so shut up.

Either way, I got the film, then headed on over to Ryan’s for a critique party filled with harsh interpretations, subtle criticisms, soaring praises and irrefutably interesting dialogues. And weed. Good times.

Returned to the apartment by around 2 or 3AM. Time had fuckin’ flew. Eric was there, upset about something. So I listened and helped him empty the proverbial sand from his metaphorical vagina. This is me giving a shit about something. Shot by Eric, who had yet to grasp the focusing system of my 600 SE’s rangefinder functions.

But…

I love how fuzzy this looks.
Reminds me of the feeling I got when I first listened to Music Has The Right To Children by Boards of Canada.

That is all.
Merry incoming Fourth O’ July to all you wonderful Amerikanners!

More shots from this day up at milestsang.com!
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Listening To: Boards Of Canada – Music Is Math.
.milestsang(dot)com.
Facebook love.

Bjorsearki


Image by Kayzig
Berserkers aren’t as cute when they’re…well…berserk.

Bjorn still retains slight adorability even when he’s apparently about to rip your face off.

They also seem to emit a sort of steam? Smoke? What is that I don’t know. Maybe it was just something I put on the picture to make it seem a bit less plain and have more depth.

See it inked!

Let the sunshine in


Image by Amaniero
La foto mi ricorda il finale di Hair e la dedico a Stefano Cucchi. RIP.

Some cool youtube download images:

The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (206)


Image by Ron Sombilon Gallery
The BEAT CARES holiday toy & food drive @ Brentwood Town Centre

With your generous help and donations we were able to raise over 0,000 in cash, over 5,000 toys and over 8,000 pounds of food!
www.TheBeat.com
www.BrentwoodMall.com

Proudly supportng the Greater Vancouver Foodbank, Salvation Army and the Lower Mainland Christmas Bureau.
www.LMCA.ca
www.FoodBank.BC.ca
www.SalvationArmy.ca

Photos by Ron Sombilon Gallery & PacBluePrinting.com
www.PacBluePrinting.com
www.RonSombilonGallery.com

DOWNLOAD the Beat Cares Photos
rcpt.yousendit.com/1007477409/92ec5f297ea39dc933013c0d31c…

.

The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (230)


Image by Ron Sombilon Gallery
The BEAT CARES holiday toy & food drive @ Brentwood Town Centre

With your generous help and donations we were able to raise over 0,000 in cash, over 5,000 toys and over 8,000 pounds of food!
www.TheBeat.com
www.BrentwoodMall.com

Proudly supportng the Greater Vancouver Foodbank, Salvation Army and the Lower Mainland Christmas Bureau.
www.LMCA.ca
www.FoodBank.BC.ca
www.SalvationArmy.ca

Photos by Ron Sombilon Gallery & PacBluePrinting.com
www.PacBluePrinting.com
www.RonSombilonGallery.com

DOWNLOAD the Beat Cares Photos
rcpt.yousendit.com/1007477409/92ec5f297ea39dc933013c0d31c…

.

The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (242)


Image by Ron Sombilon Gallery
The BEAT CARES holiday toy & food drive @ Brentwood Town Centre

With your generous help and donations we were able to raise over 0,000 in cash, over 5,000 toys and over 8,000 pounds of food!
www.TheBeat.com
www.BrentwoodMall.com

Proudly supportng the Greater Vancouver Foodbank, Salvation Army and the Lower Mainland Christmas Bureau.
www.LMCA.ca
www.FoodBank.BC.ca
www.SalvationArmy.ca

Photos by Ron Sombilon Gallery & PacBluePrinting.com
www.PacBluePrinting.com
www.RonSombilonGallery.com

DOWNLOAD the Beat Cares Photos
rcpt.yousendit.com/1007477409/92ec5f297ea39dc933013c0d31c…

.

Check out these youtube rip images:

Carcass at Sonar


Image by Metal Chris
Did I mention the merch stand at the Carcass show was ridiculously expensive? At one point between songs Jeff Walker asked the crowd if everyone thought the band was ripping them off with their merch prices. When everyone yelled back a resounding YES, he said told us to fuck off, hahaha. It was ridiculous though, for a hoodie? for a shot glass? LAME! And no, I didn’t buy anything besides beer.

I shot 3 videos but 1 is a 3 song medley thing and it’s too large for YouTube. The other 2 you can see by clicking the song names below:

Buried Dreams
Corporal Jigsore Quandary

Check out these download youtube videos images:

ysinembargomagazine17_Página_87


Image by fernandoprats
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

ysinembargomagazine17_Página_48


Image by fernandoprats
"mess-up mess-age issue"
sep.oct.nov.2008 | primaverasurotoñonorte

ON PAPER
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
NAVIGATE it

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

Múltiples mensajes.
¿ Cuánto ‘texto’ entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?

# # #

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?

Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?

# # #

Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu’où le médium supporte-t-il la charge ?
Jusqu’où l’information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu’où l’architecture invisible peut-elle être étendue (quelle profondeur) ?

Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu’il est posssible d’y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?

(download it. it’s free.)

# # #

edit(ing), direct(ing) + complements
fernando-prats
art direct(ing) + design(ing)
estudi-prats
insistAnçao, correct(ing) + additional stuff
rivera-valdez
listen(ing)
hernán-dardes
original music {free cd in-out-side}:
nevus-project / albert-jordà
translat(ing)
emilia-cavecedo

refill(ing) image:
leonie-polah
open(ing) messimages:
dalibor-levícek
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
fernando-prats

featuring:
brancollina
hernán-dardes
oriol-espinal
rafael-galán
olivier-gilet
ron-herrema
bill-horne
lisa-kehoe
dalibor-levícek
gabriel-magri
natalia-osiatynska
leonie-polah
stéfano-pérez-tonella
fernando-prats
jef-safi
rivera-valdez
yanomano
dou_ble_you-{uu}

ysinembargo#17… cuál es la frontera… si no se sale ni se llega.

a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw

# # #

YSE #17′s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

A few nice youtube mp4 images I found:

USA ARME – PESHMERGE KURDISTAN


Image by Kurdistan Photo ????????

Thanks for your visit and your comments added this as a favorite. ???? ?? ?? ?????

www.youtube.com/profile_videos?user=4Allkurdistan&p=r

kurdistan4all music 2008 kurdistan Studio / Gallery 3d-Song kurd music- Center for kurdish music 2008 by JAN Sefti Barzani sweden-USA video cilp kurdish Dance pictures music w-flickr-com/photos/kurdistan4all/ Kurdistán- ???????? – ????? ?????????? ????????? ????????
Flickr: jan_Kurdistan pop -jazz-rock-videos, internet -Flickr: KURD PressCard. photos tagged with kurdistan4all.radio Watch music videos kurdish Theatre • Music • Dance One of over 1000 beautiful photos of Kurdistan . Kurdistan Voice of Kurds Landscaps-Flowers-Art-Fantasy-Nature -3DArt …classical music – romantic kurdistan–Blues CountryDisco Dis Elektroniskt Funk Karaoke Klassis Best Website For Music. Best Website For Kurdish music by aziz s ??????? Kurdistan tê wateyê welatê kurdan. Welatê Kurdistan
Kurdistán- ???????? – ????? ?????????? ???????? .The Kurds – The Forgotten people. Women of Ararat – New documentary – Opera • Film Comedy • Tragedy • Satire-Television History .DEKOMENT • Radio kurdistan Epic- All images are copyright SAFTI © Kurdish Flickr: jan_Kurdistan document THANKS FOR YOUR VISIT AND YOUR COMMENTS Kurdish Video Clips, Mp3 Mp4 Music and Photo galleries Index Wins a Heart

USA – KURDISTAN Arme


Image by Kurdistan Photo ????????

Thanks for your visit and your comments added this as a favorite. ???? ?? ?? ?????

www.youtube.com/profile_videos?user=4Allkurdistan&p=r

kurdistan4all music 2008 kurdistan Studio / Gallery 3d-Song kurd music- Center for kurdish music 2008 by JAN Sefti Barzani sweden-USA video cilp kurdish Dance pictures music w-flickr-com/photos/kurdistan4all/ Kurdistán- ???????? – ????? ?????????? ????????? ????????
Flickr: jan_Kurdistan pop -jazz-rock-videos, internet -Flickr: KURD PressCard. photos tagged with kurdistan4all.radio Watch music videos kurdish Theatre • Music • Dance One of over 1000 beautiful photos of Kurdistan . Kurdistan Voice of Kurds Landscaps-Flowers-Art-Fantasy-Nature -3DArt …classical music – romantic kurdistan–Blues CountryDisco Dis Elektroniskt Funk Karaoke Klassis Best Website For Music. Best Website For Kurdish music by aziz s ??????? Kurdistan tê wateyê welatê kurdan. Welatê Kurdistan
Kurdistán- ???????? – ????? ?????????? ???????? .The Kurds – The Forgotten people. Women of Ararat – New documentary – Opera • Film Comedy • Tragedy • Satire-Television History .DEKOMENT • Radio kurdistan Epic- All images are copyright SAFTI © Kurdish Flickr: jan_Kurdistan document THANKS FOR YOUR VISIT AND YOUR COMMENTS Kurdish Video Clips, Mp3 Mp4 Music and Photo galleries Index Wins a Heart